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	<title>The Joy Collective &#187; Bristol</title>
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	<description>purveyors of quality piffle since 2008 : gig guide : whats on : listings : previews &#38; reviews : cardiff, bristol &#38; newport</description>
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		<title>Monthly Preview: Cardiff, Bristol and Newport highlights for February 2012</title>
		<link>http://www.thejoycollective.co.uk/blog/preview/monthly-preview-cardiff-bristol-and-newport-highlights-for-february-2012/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=monthly-preview-cardiff-bristol-and-newport-highlights-for-february-2012</link>
		<comments>http://www.thejoycollective.co.uk/blog/preview/monthly-preview-cardiff-bristol-and-newport-highlights-for-february-2012/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 11:51:16 +0000</pubDate>
		<dc:creator>keef</dc:creator>
				<category><![CDATA[Highlights]]></category>
		<category><![CDATA[Preview]]></category>
		<category><![CDATA[Bristol]]></category>
		<category><![CDATA[Cardiff]]></category>
		<category><![CDATA[Monthly preview]]></category>
		<category><![CDATA[Newport]]></category>

		<guid isPermaLink="false">http://www.thejoycollective.co.uk/blog/?p=17152</guid>
		<description><![CDATA[Winter, it seems, is upon us. Freezing fog, black ice and pummelling hail beckon us into the streets, all the better to mock us as we shuffle towards the dank, unforgiving sound-holes of the city in search of musical salve. There might be a light dusting of snow this month, basically, but is that bullshit [...]]]></description>
			<content:encoded><![CDATA[<p>Winter, it seems, is upon us. Freezing fog, black ice and pummelling hail beckon us into the streets, all the better to mock us as we shuffle towards the dank, unforgiving sound-holes of the city in search of musical salve. There might be a light dusting of snow this month, basically, but is that bullshit going to keep us from February’s live music highlights? Yes. OK, no.</p>
<p>It’s the smaller, lower-key nights that hold the most appeal in Cardiff this month, as – with the exception of the long-since sold-out <strong>JONATHAN RICHMAN</strong> shindig in Clwb (28th) the medium-scale and up shows favour duller, worthier fare. The always-excellent <strong>ERRORS</strong> return once more, their splendidly crunchy, danceable post-rock/electro ever a treat. Top bill for their Clwb show (13th) where top-drawer Rock Action labelmate <strong>REMEMBER REMEMBER</strong> and Three Trapped Tigers man <strong>TOM ROGERSON</strong> support. Errors move on to the Fleece (14th) but y’know, Clwb will be way better. <strong>GENTLE FRIENDLY</strong> will hopefully make it this time, having pulled their Swn show; the dayglo No Age/Japanther thump is scrappy, life-afffirming fun (Undertone, 5th), as are awesome brother-sister noise outfit <strong>THE HYSTERICAL INJURY</strong> (10 Feet Tall, 16th). Denver-based pair <strong>GAUNTLET HAIR</strong> mine a similar seam to Gentle Friendly, albeit a less euphoric, grubbier one, and should be checked out at Buffalo (18th). Speaking of euphoric, there’s primary-coloured cheeky house fun from Raf Daddy out of <strong>THE 2 BEARS</strong> at Clwb (16th), where entry is free if you bring a radiator or something; get there early for the witchy Knife-style electronica of <strong>FACE + HEEL</strong>.</p>
<p>The laudable recent trend for booking return visits for friends of Swn weekends past and present continues, with <strong>THOMAS TRUAX</strong> (10 Feet Tall, 8th) and his mechanical menagerie back for his 768th Cardiff date, the battering ram two-man hardcore fun of <strong>RUN, WALK</strong> returning at Buffalo (3rd, or Louisiana, 2nd), promising Barely Regal signees <strong>HOLLAND</strong> (Undertone, 24th) and folkies both indie-fied (<strong>ROSIE TAYLOR PROJECT</strong>, 10 Feet Tall, 19th) and Jefferson Airplane fuzzy (<strong>HAIGHT-ASHBURY</strong>, Gwdihw, 23rd). Indiepop good and less good is back amongst us too, care of the winningly punchy <strong>ALLO DARLIN’</strong> (Buffalo, 29th and Fleece, 28th) and the tiresome Shrag (Undertone, 25th) who are at least supported by clattering noise-pop kids <strong>TUNABUNNY</strong>.</p>
<p>Bristol, meanwhile, gets the plaudits for breadth of genre, gig size and eye-catching names this month. There’s an implausibly great-looking rash of shows at the o2 Academy, whose cavernous non-charms welcome <strong>LEE ‘SCRATCH’ PERRY</strong> (4th), as focused and on-point as you could reasonably expect at last May’s ATP and with an excellent band to boot; <strong>JUSTICE</strong> (9th), whose terribly overcooked second album will be bolstered live by their classic material and a shit-hot live show; the fantastically goofy ur-stadium rock of <strong>MASTODON</strong> (5th), fast becoming the Metallica it’s ok to not push off a cliff; and <strong>GZA</strong> (18th), possibly the third best living Wu-Tang member and most likely ambling through the best bits of ‘Liquid Swords’ on a bill with brit-hop lifers <strong>SKITZ &amp; RODNEY P</strong>. The Academy (20th) and Cardiff Uni (19th) also host the NME Awards Tour, which is worth a punt for <strong>METRONOMY</strong>’s arch electropop gems and, in particular, the deliciously filthy electro-boosted hip-hop of <strong>AZEALIA BANKS</strong>. Both will make the rank indie rock losers on the bill look like eternal dullards.</p>
<p>Elsewhere, Bristol has some tidy-looking gems, not least at the Cube. There, <strong>MARY HAMPTON</strong>’s disquieting subject matter and crystalline vocals make for superbly warped alt-folk which will be a highlight of the month’s listings (11th). The same venue also hosts an ace triple-bill of experimental duos (17th) headlined by Brooklyn’s <strong>HIGH PLACES</strong>, whose bleached-out psychedelic pop is ably supported by <strong>THE HYSTERICAL INJURY</strong> and Zun Zun Egui / SJ Esau side-project <strong>HESOMAGARI</strong>. I know, right? Hyper-literate pop polymath <strong>MOMUS</strong> is at the Cube too (10th), while around the grounds Bristol rounds up varied treats care of beloved agit-folk-punk duo <strong>VIALKA</strong> (Café Kino, 17th), the mighty post-hardcore screamalong fun of Leeds nutbars <strong>PULLED APART BY HORSES</strong> (Fleece, 18th), ex-Cul de Sac man and 12-string picker par excellence <strong>GLENN JONES</strong> (Arnolfini, 23rd, with <strong>SHARRON KRAUS</strong>), <strong>RM HUBBERT</strong>, formerly of unsung Glaswegian post-rock outfit El Hombre Trajeado (seriously, look them up) and now solo (Cube, 2nd with Cardiff’s <strong>THINGS MAKE ELECTRIC</strong>), <strong>STILL CORNERS</strong>’ poised detachment and brittle Broadcast melodies (Louisiana, 9th), glorious Fence Records drone-folk from <strong>KING CREOSOTE &amp; JON HOPKINS</strong> and the fine <strong>WITHERED HAND</strong> (Fleece, 5th) and the perennially underrated and beautifully crafted pop of <strong>FIELD MUSIC</strong> (Fleece, 23rd)..</p>
<p>Qu Junktions are back, bringing intriguing and playful experiments in techno from <strong>ITAL</strong> (formerly of solid Dischord kids Black Eyes, still half of no-wave freaksters Mi Ami) to Bristol’s Take 5 Café (10th). Diogenes have a couple of excellent shows, with exploratory psych lifers <strong>ASHTRAY NAVIGATIONS</strong> (Croft, 9th) and slow-crawling doom from <strong>PUS</strong> and others (Croft, 2nd). Blinding scenes at the Cube (25th); “experimental tuba trio” <strong>ORE</strong> offer a wall of numbing low-end and, well, shitloads of whacked-out brass. Come on, that sounds amazing. <strong>ANTA</strong>, <strong>FAIRHORNS</strong> and <strong>SKJOLBROT</strong> make up a corking bill. This month’s obligatory <strong>SATURDAY’S KIDS</strong> mention: they’re at the Croft on the 16th before a launch gig for the new &#8216;Grey On White&#8217; 7&#8243; which takes place in the basement of Newport&#8217;s Barnabas Arts Centre (23rd).</p>
<p>What have I missed? Not a lot, although I heard <strong>DJANGO DJANGO</strong>’s assured late-period Beta Band single on the radio this morning and it was pretty good (Cooler, 25th). <strong>THE DEATH OF HER MONEY</strong> appear with <strong>AXIS OF</strong> at Buffalo (26th), always good. <strong>THE AFTERNOONS</strong>, presumably cryogenically frozen since 2001, are back and playing Buffalo (25th); sweet South Walian Sarah Records pop, as I recall. <strong>LONEY, DEAR</strong> does sad-eyed Swedish melancholia (Louisiana, 19th) and <strong>CLAP YOUR HANDS SAY YEAH</strong>, who must be gutted to be in the round-up, tour their sadly flat recent material at the Thekla (4th). Nice surf one-two at the Cube (4th) with <strong>MUSTARD ALLEGRO</strong> and <strong>HANGMEN</strong>, who I should get around to seeing. Gathered In Song have <strong>OX</strong> playing Le Pub (8th) and <strong>FANFARLO</strong> do brass-assisted junior Arcade Fire-isms (Thekla, 27th). Think that’s about it. Time for my cocoa.</p>
<p>&nbsp;</p>
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		<title>Monthly preview: Cardiff and Bristol highlights for January 2012</title>
		<link>http://www.thejoycollective.co.uk/blog/preview/january-2012/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=january-2012</link>
		<comments>http://www.thejoycollective.co.uk/blog/preview/january-2012/#comments</comments>
		<pubDate>Thu, 29 Dec 2011 09:48:29 +0000</pubDate>
		<dc:creator>keef</dc:creator>
				<category><![CDATA[Highlights]]></category>
		<category><![CDATA[Preview]]></category>
		<category><![CDATA[Bristol]]></category>
		<category><![CDATA[Cardiff]]></category>
		<category><![CDATA[Monthly preview]]></category>

		<guid isPermaLink="false">http://www.thejoycollective.co.uk/blog/?p=16412</guid>
		<description><![CDATA[Let’s not pretend January is a vintage month for gigs. It’s not. It is, though, a good time to discover some bands you might end up seeing more often over the coming year, usually without spending much money; venues pack the listings with local up ‘n’ comers and ramp up the value for money. All [...]]]></description>
			<content:encoded><![CDATA[<p>Let’s not pretend January is a vintage month for gigs. It’s not. It is, though, a good time to discover some bands you might end up seeing more often over the coming year, usually without spending much money; venues pack the listings with local up ‘n’ comers and ramp up the value for money. All that’s missing, dear passing browser, is you.</p>
<p>Buffalo, Undertone and 10 Feet Tall lead the way in the January sales, as usual, giving curatorial duties to bands, labels and promoters wanting to put on a cheap night. New kids on the block, the Moon Club (space above the Full Moon, formerly Y Fuwch Goch/Kaz Bar etc) go one better with a full month of completely free shows. Highlights, you say? Well, the Joy Collective Hot Boyz DJ Team fully endorse <strong>MARIA &amp; THE MIRRORS</strong>’ rescheduled Buffalo show (4th), with an excellent support bill of <strong>GINDRINKER</strong>, <strong>TOTEM TERRORS</strong> (formerly Joy of Sex) and <strong>WRONGS</strong> (formerly James James, now about 3% more easily searched online). <strong>Y NIWL</strong> and <strong>H. HAWKLINE</strong> are the party-starting dream team the kids all crave, and they team up with Harvest (Buffalo, 28th) while Y Niwl also play Bristol’s Café Kino on the 7th. Lesson No. 1 bring the return of Liverpudlian sludge monsters <strong>CONAN</strong> (Buffalo, 22nd, with co-hosts <strong>PUS</strong>), while long-missing hardcore types <strong>THE KEEP</strong> return alongside supergroup of sorts (members of Night &amp; The City Of Broken Promises, Ironclad etc) <strong>NATURAL ORDER</strong> (Clwb, 20th). It would be remiss of us not to insist you keep your diary free on the 31st, too; <strong>FLOWER OF PHONG</strong>, a new CD-R record label brought to you by some local miscreants including our own Vivers, hold a launch gig at Undertone. Details here shortly. Meanwhile, Moon Club freebies, still very much subject to additions, include <strong>STRANGE NEWS FROM ANOTHER STAR</strong> (28th, with <strong>HIS NAKED TORSO</strong>), <strong>THE DEATH OF HER MONEY</strong> (13th), <strong>BEDFORD FALLS</strong> (26th, with Swansea surf dudes <strong>HANGMEN</strong>), <strong>A THOUSAND ARROWS</strong> (22nd) and <strong>WITCHES DRUM</strong> and <strong>THORUN</strong> (27th).</p>
<p>As you might expect, there aren’t a great deal of tours calling this way so early in the new year, although a few bigger names do pop up. The city’s club nights score big, with <strong>JOY ORBISON</strong> and <strong>JACKMASTER</strong> returning for another B2B set following last year’s blinder (Clwb, 27th) and Signature bagging totally ace Dutch dubstep/techno chap Dave Huismans, aka <strong>2562</strong> (Buffalo, 12th). Don’t miss that one. Swn hit the ground running with three shows varied in nature, if (personally) not so thrilling; dig if you will this year’s “new Strokes” <strong>HOWLER</strong> (Clwb, 27th with <strong>KUTOSIS</strong> or Louisiana, 23rd, without), <strong>EVERYTHING EVERYTHING</strong> (Globe, 17th) and 1996’s favourite misanthrope <strong>BABYBIRD</strong> (Globe, 26th). Hmm. Better, Barely Regal team their promising recent signings <strong>OLYMPIANS</strong> with the excellent <strong>SAMOANS</strong> and perma-touring grunge kids <strong>TUBELORD</strong> (Undertone, 8th), while <strong>JOANNA GRUESOME</strong> head up a neat-looking bill at Gwdihw (25th) with <strong>LITTLE ARROW</strong> and <strong>RATATOSK</strong>. Nice. Finally, there’s highly promising moody electro atmospherics from <strong>FACE + HEEL</strong>, whose third attempt at a debut gig will hopefully happen at Buffalo (24th), hook-filled Welsh pop classicism from <strong>JEN JENIRO</strong> (Clwb, 21st) and a US folky double bill of <strong>THE TOY HEARTS</strong> and <strong>REBECCA PRONSKY</strong> care of Gathered In Song (10 Feet Tall, 22nd).</p>
<p>Fewer things jumping out of the Bristol listings for the month ahead, and it’s particularly galling that three blinders occur on the same ruddy night. Top recommendation anywhere this month is <strong>WILD FLAG</strong>, whose debut album of playful, aware and hopelessly cool indie-rock was one of 2011’s best. Their first full UK tour calls at the Thekla (27th), while across town <strong>FRANCOIS &amp; THE ATLAS MOUNTAINS</strong> launch their first album since springing from Bristolian cult status to fully-fledged indiepop contenders at the Motorcycle Showroom in Stokes Croft (27th again, with <strong>THE LIFTMEN</strong>). Meanwhile, same night, there’s a corker of a free gig at the Cube featuring total babes <strong>THE JELAS</strong> alongside <strong>MATT LOVERIDGE</strong> and <strong>LINE</strong>. It’s just not fair, Bristol. Elsewhere in Bristol, <strong>VIC GODARD &amp; SUBWAY SECT</strong> return early doors (Thunderbolt, 7th), the increasingly proggy, increasingly feted and increasingly dull <strong>M83</strong> play the pretty sizey Trinity (17th), <strong>THE HORRORS</strong> do the same venue (20th, sold out – they’ll play Cardiff in May) and smiling hardcore raconteur <strong>HENRY ROLLINS</strong>’ latest spoken word show The Long March visits St Georges Hall (17th). Also worth seeing are <strong>SCHNAUSER</strong> (Grain Barge, 13th), <strong>ANTA</strong> (Croft, 14th), the <strong>CAVES</strong>/<strong>BEDFORD FALLS</strong> bill at the Croft (29th) and the tireless and always fun <strong>MR SCRUFF</strong> (o2 Academy, 28th). Those are the headlines, god I wish they weren’t.</p>
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		<title>December preview: live music this month in Cardiff, Bristol and probably not Newport</title>
		<link>http://www.thejoycollective.co.uk/blog/highlights/december-preview-live-music-this-month-in-cardiff-bristol-and-probably-not-newport/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=december-preview-live-music-this-month-in-cardiff-bristol-and-probably-not-newport</link>
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		<pubDate>Tue, 29 Nov 2011 15:36:33 +0000</pubDate>
		<dc:creator>keef</dc:creator>
				<category><![CDATA[Highlights]]></category>
		<category><![CDATA[Bristol]]></category>
		<category><![CDATA[Cardiff]]></category>
		<category><![CDATA[Monthly preview]]></category>

		<guid isPermaLink="false">http://www.thejoycollective.co.uk/blog/?p=15494</guid>
		<description><![CDATA[Precious little in the way of tours at this time of year, and the big-dollar stuff in your Arenas and Academies lacks anything remotely as enticing as last December’s LCD Soundsystem and Arcade Fire seasonal rave-ups. MALCOLM MIDDLETON bucks the trend, effectively touring twice; he’ll play sets under his own name and pseudonym Human Don’t [...]]]></description>
			<content:encoded><![CDATA[<p>Precious little in the way of tours at this time of year, and the big-dollar stuff in your Arenas and Academies lacks anything remotely as enticing as last December’s LCD Soundsystem and Arcade Fire seasonal rave-ups. <strong>MALCOLM MIDDLETON</strong> bucks the trend, effectively touring twice; he’ll play sets under his own name and pseudonym <strong>Human Don’t Be Angry</strong> at Clwb (3rd) and the Louisiana (4th). <strong>WIRE</strong>, fierce and mercurial at the Fleece earlier this year, have their Cardiff gig moved to Clwb (1st) which, based on their ATP appearance a couple of years ago, should be very good indeed. Speaking of ATP, there’s a couple of Bristol shows linked to the December festivals, all highly recommended. <strong>THE MAGIC BAND</strong> play the good Captain’s hits with gusto and love (Thekla, 4th), and don’t be thinking it’s some grave-robbing exercise – have a listen to ‘Back To The Front’, it’s a blinder. Meanwhile, following the recent examples of countless 90s alt-rock acts (stand up Jesus Lizard, Pavement, Scratch Acid, Archers Of Loaf…) there’s a first UK appearance in a cool 22 years for seminal post-hardcore trio <strong>BITCH MAGNET</strong> (Fleece, 8th, with <strong>MODEL BOAT</strong>). Anyone with a passing interest in the work of Battles, Don Caballero, Slint etc should make the trip. More rarefied fare over at Bristol’s Watershed Theatre (3rd), where <strong>A HAWK AND A HACKSAW</strong> perform their new score for ‘Shadows of Forgotten Ancestors’, a suitably grand fable of love, loss, religion and sorcery in Carpathian Russia. Hey, rockin’!</p>
<p>Some choice one-offs in the capital too, chiefly of an unpleasantly noisy fashion; yer punk and hardcore kids are the ones to turn to for pre-Christmas party fun, no mistake. <strong>SATURDAY’S KIDS</strong> stop touring for no man, of course, and their co-headline tour with ace W. Yorks / S.Wales punkers <strong>FACEL VEGA</strong> calls at Undertone (15th), with <strong>HARBOUR</strong> and <strong>HUNGER ARTIST</strong> in support. The latter band also prop up <strong>GOODTIME BOYS</strong>’ co-headline with Berlin’s <strong>AT DAGGERS DRAWN</strong> (Undertone, 1st) on a fine bill with <strong>THE DEATH OF HER MONEY</strong> and <strong>CROSSBREAKER</strong>. Woof. Be sure to catch <strong>TWO WOUNDED BIRDS</strong>’ glowering blend of Wall Of Sound pop, Ramones’ gawky attitude and Gene Vincent tremolo-heavy guitar twang, a highlight of Swn for me and supported by Swansea surf dudes <strong>HANGMEN</strong> (10 Feet Tall, 8th). Stirring Hereford post-rockers <strong>TALONS</strong>’ classical violin-driven sound does familiar things very well indeed; they play Undertone’s Christmas party on the 21st. In fact, it’s SOUTH WEST REPRESENT! month, notably the traditional musical backwater of Cornwall. Derivative but fun, not least in <a href="http://www.slumberlandrecords.com/black-tambourine">appropriating their name</a>, Falmouth lo-fi noiseniks <strong>BLACK TAMBOURINES</strong> team up with <strong>JOANNA GRUESOME</strong> (Buffalo, 12th) for some shabby pop fun, while rowdy hardcore types <strong>KASA</strong> (Undertone, 20th) hail all the way from rock city Penzance. Finally, if you really can’t stand your co-workers and in-laws, spend the Friday before Christmas in the company of <strong>SPIDER KITTEN</strong>, <strong>THORUN</strong> and others (Bogiez, 23rd). Across the bridge the excellent people at Burial Chamber present a mammoth line-up including <strong>ALTAR OF PLAGUES</strong>, Thorun and the very fine <strong>BEAR-MAN</strong> (Croft, 3rd) and your pals and mine <strong>ISLET</strong> may or may not be playing the Croft (9th – the venue says yes, deafening silence elsewhere.  Check press, etc).</p>
<p>There’s a handful of fine evenings of more relaxed seasonal cheer scattered about. <strong>ALASDAIR ROBERTS</strong> hosts “an evening of folk culture, ritual and song” entitled Here’s A Health To The Barley Mow (Cube, 11th), where he’ll perform alongside <strong>FINGLEBONE</strong> and show a series of BFI films on the arcane and ritual. The man is a total chap. Espers frontwoman <strong>MEG BAIRD</strong> appears at the same venue (Cube, 8th) on a fantastic-looking psych-folk triple bill with <strong>FURSAXA</strong> and <strong>SHARRON KRAUS</strong>, as does recent Swn guest and experimental folkie <strong>DAUGHTER</strong> (Cube, 6th). Wonky, prolific and weirdly brilliant troubadour <strong>MEN DIAMLER</strong>, once magnificently described by our own Vivers as “Brian Blessed singing murder ballads”, signs off before calling time on his musical efforts (Cube, 1st), and no less eccentric ex-Hold Steady man <strong>FRANZ NICOLAY</strong> serenades the Croft (15th). Back in Cardiff <strong>ANTHONY REYNOLDS</strong>, still best remembered by me and some other old losers as songwriter with splendidly seedy 90s band Jack but now a regular collaborator on his home town’s art scene, performs new material at Chapter (10th); promising new Fence Records signing <strong>SEAMUS FOGARTY</strong> debuts at the Full Moon (formerly Y Fuwch Goch, 11th) and 10 Feet Tall pay tribute to the late Bert Jansch with songs from <strong>THE GENTLE GOOD</strong>, <strong>RHODRI VINEY</strong> and <strong>IVAN MOULT</strong> alongside DJs and films (11th).</p>
<p>Going to sign off with a few more recommended titbits. Electronic picks of the month are three; <strong>LONE</strong>, whose ‘Emerald Fantasy Tracks’ melded woozy Boards Of Canada synths and beatific R&amp;S techno to splendid effect (Thekla, 9th), fierce futurist 303 belters from his labelmate <strong>BLAWAN</strong> (Buffalo, 1st) and a typically fascinating-looking line-up of out-there experimental pop, drone and electronica at the Arnolfini (8th) under the title <strong>Active Crossover</strong>. <strong>EKOPLEKZ</strong>, <strong>SJ ESAU</strong> and <strong>SKJOLBROT</strong> foremost on that bill. <strong>DEATH IN VEGAS</strong>’ halcyon days may be behind them but they still crank out some decent krautrock-heavy jams; move fast for their Thekla gig (13th) as it’s possibly already sold out. <strong>ACTION BEAT</strong>, who are bloody fantastic live and welcome back here anytime, join <strong>SJ ESAU</strong> (again), <strong>ANTA</strong> and <strong>BIG JOAN</strong> in support of <strong>MADNOMAD</strong> for a tenth anniversary celebration of Bristol’s Club Choke (Croft, 22nd). Finally, indestructible Mackem punk legends <strong>LEATHERFACE</strong> show the young’uns a trick at the Croft (7th). Somewhere, Steve Lamacq is sipping weak cider and sighing wistfully. Merry Christmas, Steve. Merry Christmas everyone.</p>
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		<title>QU Junktions presents&#8230; Group Inerane / Flower-Corsano Duo : The Croft, Bristol : 29.11.11</title>
		<link>http://www.thejoycollective.co.uk/blog/preview/qu-junktions-presents-group-inerane-flower-corsano-duo-the-croft-bristol-29-11-11/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=qu-junktions-presents-group-inerane-flower-corsano-duo-the-croft-bristol-29-11-11</link>
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		<pubDate>Fri, 25 Nov 2011 13:14:18 +0000</pubDate>
		<dc:creator>Vivers</dc:creator>
				<category><![CDATA[Preview]]></category>
		<category><![CDATA[Bristol]]></category>
		<category><![CDATA[Flower-Corsano Duo]]></category>
		<category><![CDATA[Group Inerane]]></category>
		<category><![CDATA[Qu Junktions]]></category>
		<category><![CDATA[Rambling]]></category>
		<category><![CDATA[The Croft]]></category>

		<guid isPermaLink="false">http://www.thejoycollective.co.uk/blog/?p=15453</guid>
		<description><![CDATA[Beautiful bliss out action TIMES TWO. This really is a fantastic pairing of two bands who go OUT THERE, and make you WRITE IN CAPITALS. Group Inerane inevitably get lumped in with Omar Suleiman and Group Doueh in that they&#8217;ve been released on Sublime Frequencies before being put in the tour van and pointed towards Europe, but that&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<div>Beautiful bliss out action TIMES TWO. This really is a fantastic pairing of two bands who go OUT THERE, and make you WRITE IN CAPITALS. <strong>Group Inerane</strong> inevitably get lumped in with Omar Suleiman and Group Doueh in that they&#8217;ve been released on Sublime Frequencies before being put in the tour van and pointed towards Europe, but that&#8217;s fine really: SF being quite brilliant at releasing batshit ace music from around the globe, a more water-tight compliment would be hard to find. From Agadez, Niger, this Group play fantasticly fuzzy, mantric rock and roll that luxuriates in dusty, sideways beauty. Also going to be a total treat is <strong>Flower-Corsano Duo</strong>, the meeting of Mick&#8217;s transcendent, Godlike Japanese banjo and Chris&#8217;s bonkers, junkshop, uberGodlike drumming skills. They&#8217;ll take your brain to another galaxy. This will be the closest you can get to ATP&#8217;s killer spirit without sleeping in Butlins, and easily the gig of the month. We should send QU Junktions a badge or something.</div>
<div> </div>
<p><img class="aligncenter size-full wp-image-15456" title="Group Inerane" src="http://www.thejoycollective.co.uk/blog/wp-content/uploads/Group-Inerane-Guitars-From-Agadez-e1322222406400.jpg" /><br />
<img class="aligncenter size-full wp-image-15455" title="Flower Corsano Duo" src="http://www.thejoycollective.co.uk/blog/wp-content/uploads/FlowerCorsano+Duo+flowercorsanoduo.jpg" /><br />
<strong>Group Inerane</strong></p>
<div>
<div><strong>Flower-Corsano Duo</strong></div>
<div> </div>
</div>
<div>
<div>Tuesday 29 November 2011</div>
<div>The Croft</div>
<div>117-119 Stokes Croft, Bristol</div>
<div>8.00pm &#8211; 12.00am | £10 adv | <a href="http://qujunktions.com/event/www.bristolticketshop.co.uk">Buy Tickets</a></div>
</div>
<div>
<p>A dream pairing of two of the most ecstatic and transcendental rock units imaginable. Simmering up from the rebel heart of the Tuareg guitar scene, <a href="http://www.sublimefrequencies.com/item.asp?Item_id=37&amp;cd=Group-">Group Inerane</a> are a rough-hewn, tranced-out juggernaut from Niger with two white-hot albums on <a href="http://www.sublimefrequencies.com/">Sublime Frequencies</a> to their name; <a href="http://www.myspace.com/flowercorsanoduo">Flower-Corsano Duo</a> is the thrilling collaboration between kinetic free drummer <strong>Chris Corsano</strong> and Vibracathedral Orchestra’s <strong>Mick Flower</strong> (shaahi baaja or Japanese banjo). Whether channelling West African guitar practice or free noise dynamics, both bands are capable of extended jams that reach for altered zones. A one-off and profoundly psychedelic double bill.<strong> </strong></p>
<p><strong>Group Inerane</strong> are the latest band to make the transition from the rich catalogue of Sublime Frequencies recordings to the live stages of Europe. This is perhaps the most anticipated of them all, the one we have been waiting for since <em><strong>Guitars From Agadez Vol. 1</strong></em> first stormed from the speakers and sold out in record time four years ago.</p>
<p>Centred around band leader and six-string god <strong>Bibi Ahmed</strong>, Inerane hail from Agadez, Niger, one of the most volatile zones in West Africa. Out of this vast, arid land long beset by political unrest comes the Inerane sound, fit to bring tumultuous joy to any party on the globe: ecstatic and electrified Saharan guitar modes entangle/disentangle themselves around mantric vocals and propulsive trap kit drum attack. Genuinely rocking and raw as hell, at points the fuzz descends and Inerane seem to bore their way to the mainline of rock ‘n’ roll itself.</p>
<p>A second Inerane album, Vol. 3 of the <em><strong>Guitars From Agadez</strong></em> series, came out last year with a repress due for this tour, and gives further call to rejoice. There will also be a scorching tour-only 7″.</p>
<p><em>“This music is plain wonderful, life-affirming, and celebratory any way you look at it, and if you consider its origins, even more so”</em> – <strong>Tiny Mix Tapes</strong></p>
<p><em>“Group Inerane … encompasses the most exciting aspects of the Tuareg guitar style … a new form of Saharan psychedelia</em>” – <strong>Dusted</strong></p>
<p><strong><br />
Flower-Corsano Duo</strong> is a mystical, rocking jazz journey like no other from two underground music makers who have a special chemistry. A dynamic and heavenly combination of <strong>Chris Corsano</strong>‘s freeform rhythm patterns and <strong>Mick Flower</strong>‘s ecstatic wall of noise, this really is a trip into a ZONE. 2 albums on VHF/Textile and an incendiary live show have spread the word.</p>
<p><strong>Michael Flower</strong> is known as a member of Leed’s <strong>Vibracathedral Orchestra</strong>, a lynchpin of the improvising rock/noise/drone world. He has also played and released with artists such as <strong>Tony Conrad</strong>, <strong>Sunburned Hand Of The Man</strong>, <strong>MV&amp;EE</strong> and his own <strong>Michael Flower Band</strong>. His playing can be overloaded and pin you to the ground or blissfully graceful, even holy, his expansive sound lifting you to higher levels.</p>
<p><strong>Chris Corsano</strong>‘s drumming has to be seen to be fully appreciated. An ‘into the void’ musician who collaborates with a huge range of artists and can still pull off mad solo shit. It is a rare drummer that can hold his own with his customized kit, clatter practice and circular breathing drone exhortations but retain a dynamic and structure that works. Loose-limbed, intense, even melodic, he exposes the audience to sounds and rhythms that defy normality. He moves light-footed around the world sparking off into all kinds of collaborations with the likes of <strong>Jim O’Rourke</strong>, <strong>Joe Mcphee</strong>, <strong>John Edwards</strong>, <strong>Whitehouse</strong>, <strong>Bjork</strong>, <strong>Thurston Moore </strong>and <strong>Bill Nace </strong>among many.</p>
<p><img title="Group Inerane" src="http://qujunktions.com/wp-content/uploads/2011/09/Group-Inerane-207x207.jpg" alt="Group Inerane" width="207" height="207" /></p>
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		<title>Birchall/Cheetham Duo / Deas &amp; Denton / Sounding / R. Seiliog : Gower, Cardiff &amp; Croft, Bristol : 28 &amp; 30.11.11</title>
		<link>http://www.thejoycollective.co.uk/blog/preview/birchallcheetham-duo-deas-denton-sounding-r-seiliog-gower-cardiff-croft-bristol-28-30-11-11/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=birchallcheetham-duo-deas-denton-sounding-r-seiliog-gower-cardiff-croft-bristol-28-30-11-11</link>
		<comments>http://www.thejoycollective.co.uk/blog/preview/birchallcheetham-duo-deas-denton-sounding-r-seiliog-gower-cardiff-croft-bristol-28-30-11-11/#comments</comments>
		<pubDate>Thu, 24 Nov 2011 14:29:44 +0000</pubDate>
		<dc:creator>Vivers</dc:creator>
				<category><![CDATA[Preview]]></category>
		<category><![CDATA[Birchall/Cheetham Duo]]></category>
		<category><![CDATA[Bristol]]></category>
		<category><![CDATA[Cardiff]]></category>
		<category><![CDATA[Croft]]></category>
		<category><![CDATA[Deas & Denton]]></category>
		<category><![CDATA[Gower]]></category>
		<category><![CDATA[I Am A Doctor]]></category>
		<category><![CDATA[R. Seiliog]]></category>
		<category><![CDATA[Sounding]]></category>

		<guid isPermaLink="false">http://www.thejoycollective.co.uk/blog/?p=15320</guid>
		<description><![CDATA[The Cardiff leg of this tour marks the final Rusty Trombone-promoted gig of 2011. So happy that people are putting on gigs that warp the brain with harsh noise and beauty. Show your face at either of these gigs and get your ears syringed by drone, feedback, beats, concentrated looks, furrowed brows and dopey grins. [...]]]></description>
			<content:encoded><![CDATA[<p>The Cardiff leg of this tour marks the final Rusty Trombone-promoted gig of 2011. So happy that people are putting on gigs that warp the brain with harsh noise and beauty. Show your face at either of these gigs and get your ears syringed by drone, feedback, beats, concentrated looks, furrowed brows and dopey grins. Don&#8217;t tip the door staff though; they&#8217;ll only spend it on imported vinyl.</p>
<p><a href="http://www.thejoycollective.co.uk/blog/preview/birchallcheetham-duo-deas-denton-sounding-r-seiliog-gower-cardiff-croft-bristol-28-30-11-11/attachment/birchallcheetham/" rel="attachment wp-att-15324"><img class="aligncenter size-full wp-image-15324" title="BirchallCheetham" src="http://www.thejoycollective.co.uk/blog/wp-content/uploads/BirchallCheetham.jpg" alt="" width="400" height="267" /></a></p>
<p>==================</p>
<p>The Rusty Trombone of God Presents&#8230;</p>
<p>BIRCHALL CHEETHAM DUO</p>
<p>David Birchall / Andrew Cheetham Duo. David on prepared guitar with Andrew on drums. Both met when playing in Rhys Chatham&#8217;s G3 Ensemble in March 2011. Free improvisation, drone and noise from Manchester, UK. Full-pelt skronk.</p>
<p><a href="http://soundcloud.com/birchallcheethamduo" rel="nofollow nofollow" target="_blank">http://soundcloud.com/<wbr>birchallcheethamduo</wbr></a></p>
<p>DEAS &amp; DENTON</p>
<p>Cam Deas (perhaps better known for his 12-string solo acoustic guitar) teams up with Adam Denton leaving the quiet and beautiful world of his solo project behind for a twin-electric feedback assault. Drawing from influences as far-reaching as La Monte Young, Basic Channel and Pan Sonic. Expect throbbing feedback and hypnotic drones as well as onslaughts of over-arching beats. Deas &amp; Denton have releases on the Blackest Rainbow and Present Time Exercises (PTE) labels.</p>
<p><a href="http://soundcloud.com/camdeas/deas-denton-inferno-side-b" rel="nofollow nofollow" target="_blank">http://soundcloud.com/<wbr>camdeas/<wbr>deas-denton-inferno-side-b</wbr></wbr></a><br />
<a href="http://www.foxydigitalis.com/foxyd/?p=5227" rel="nofollow nofollow" target="_blank">http://<wbr>www.foxydigitalis.com/<wbr>foxyd/?p=5227</wbr></wbr></a><br />
<a href="http://www.presenttimeexercises.com/" rel="nofollow nofollow" target="_blank">http://<wbr>www.presenttimeexercises.co<wbr>m/</wbr></wbr></a></p>
<p>SOUNDING</p>
<p>Sounding is the new solo project from Ben Moon one half of Forest Creature (Blackest Rainbow). I would expect some modest pulsing lights – perhaps not lasers but they won&#8217;t be disco lights either. It&#8217;s almost too easy to compare influences to Yellow Swans, Black Dice and Fuck Buttons but I am going to do it anyway.</p>
<p><a href="http://soundcloud.com/sounding-1" rel="nofollow nofollow" target="_blank">http://soundcloud.com/<wbr>sounding-1</wbr></a></p>
<p>R.SEILIOG</p>
<p>R.Seiliog was born in the basement of a watchmakers shop in Peniel, North Wales in 1985. This early exposure to the syncopated rhythms of countless different timepieces was to have a lasting effect on the way he hears the world and indeed, composes. His music has the repetitive, hypnotic, and melodic qualities of his kosmiche forefathers Klaus Schulzes, CAN and Harmonium, but is harmonically more akin to Cluster or Terry Riley.</p>
<p><a href="http://soundcloud.com/r-seiliog" rel="nofollow nofollow" target="_blank">http://soundcloud.com/<wbr>r-seiliog</wbr></a><br />
<a href="http://www.youtube.com/user/yseiliog" rel="nofollow nofollow" target="_blank">http://www.youtube.com/<wbr>user/yseiliog</wbr></a></p>
<p>Monday 28th November<br />
The Gower, 29 Gwennyth Street, Cardiff<br />
8pm £3adv / £5 door</p>
<p>Tickets: directly via paypal &#8211; <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&amp;hosted_button_id=EEJRD53TQBQK4" rel="nofollow nofollow" target="_blank">https://www.paypal.com/<wbr>cgi-bin/<wbr>webscr?cmd=_s-xclick&amp;hosted<wbr>_button_id=EEJRD53TQBQK4</wbr></wbr></wbr></a></p>
<p>========================= </p>
<ul>
<li>Doors: 8:00 PM</li>
<li>Price: £4 Adv</li>
<li>Entry: 16+</li>
<li>Room: Main Room </li>
</ul>
<div><a href="http://www.bristolticketshop.co.uk/" target="_blank">Buy Tickets </a></div>
<div> </div>
<div><strong>T</strong><strong>he Croft presents:</strong></div>
<div> </div>
<div><strong>Deas &amp; Denton</strong></div>
<div> </div>
<div>+ Birchall / Cheetham Duo + Sounding</div>
<div> </div>
<div>Wednesday 30 November @ The Croft, Bristol</div>
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		<title>Christian Jendreiko: Gottesrauschen (God&#8217;s White Noise) : Arnolfini, Bristol : 26.11.11</title>
		<link>http://www.thejoycollective.co.uk/blog/preview/christian-jendreiko-gottesrauschen-gods-white-noise-arnolfini-bristol-26-11-11/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=christian-jendreiko-gottesrauschen-gods-white-noise-arnolfini-bristol-26-11-11</link>
		<comments>http://www.thejoycollective.co.uk/blog/preview/christian-jendreiko-gottesrauschen-gods-white-noise-arnolfini-bristol-26-11-11/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 12:50:04 +0000</pubDate>
		<dc:creator>Vivers</dc:creator>
				<category><![CDATA[Preview]]></category>
		<category><![CDATA[Arnolfini]]></category>
		<category><![CDATA[Bristol]]></category>
		<category><![CDATA[Christian Jendreiko]]></category>
		<category><![CDATA[God's White Noise]]></category>
		<category><![CDATA[Gottesrauschen]]></category>
		<category><![CDATA[Rambling]]></category>

		<guid isPermaLink="false">http://www.thejoycollective.co.uk/blog/?p=15294</guid>
		<description><![CDATA[We&#8217;ve deliberately kept in the artistic guff at the bottom of the page as an example of how to rob music of its vitality. Come on! Anyone who doesn&#8217;t check the details of this event, with its ranks of guitarists playing for seven hours, and immediately want to go, should do more walking along isolated [...]]]></description>
			<content:encoded><![CDATA[<p>We&#8217;ve deliberately kept in the artistic guff at the bottom of the page as an example of how to rob music of its vitality. Come on! Anyone who doesn&#8217;t check the details of this event, with its ranks of guitarists playing for seven hours, and immediately want to go, should do more walking along isolated cliffs. It&#8217;s an unknown amount of people, playing no-idea-what guitar music, in a gorgeous art space, for seven hours (Jendreiko has been part of a 24 hour installation at a Supersonic festival of yore). I dunno, maybe I&#8217;m on my own here. But beautifully batty ideas and groups with a stupid amount of people in them fill me with happiness, as do one-off happenings that you have to turn up for to experience. Although 11am&#8217;s a bit early, so I&#8217;ll see you at lunchtime.</p>
<p><a href="http://www.thejoycollective.co.uk/blog/preview/christian-jendreiko-gottesrauschen-gods-white-noise-arnolfini-bristol-26-11-11/attachment/gods2/" rel="attachment wp-att-15297"><img class="aligncenter size-full wp-image-15297" title="Gods2" src="http://www.thejoycollective.co.uk/blog/wp-content/uploads/Gods2-e1321887026319.jpg" alt="" width="500" height="374" /></a></p>
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<p>&nbsp;</p>
<p><strong>Christian Jendreiko</strong></p>
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<div id="right_col">
<div id="event_details">
<p><strong>Gottesrauschen (God&#8217;s White Noise): Action for Players, Guitars and Amplifiers</strong></p>
<div>
<p><strong>Sat 26 Nov, 11.00am &#8211; 6.00pm</strong></p>
<p>Free</p>
</div>
<p>&#8220;<em>Observing myself playing the guitar from a sculptural perspective brought me to the idea to concentrate on shaping the motoric aspects of my playing-motions instead of playing a piece of music. When you take your instrument and start to play you bring your body into the action. You can listen to your body, to your motions and you can listen to the way you move</em>.&#8221; (Christian Jendreiko)</p>
<p>For the Arnolfini edition of <em>Gottesrauschen (God&#8217;s White Noise): Action for Players, Guitars, &amp; Amplifiers</em>, a large number of untrained and trained musicians, artists and friends around Bristol will perform in the gallery space over the course of seven hours. This performance, for an indeterminate number of guitarists and amplifiers, takes its cue from a passage by the idealist Friedrich Schiller on man&#8217;s relation to sensual and formal compulsions &#8211; &#8220;For all beauty is ultimately but a property of movement&#8221;.</p>
<p><em>God&#8217;s White Noise</em> will unfold over a day at Arnolfini, with guests free to enter, circulate, and remain in the gallery space as long as they wish.</p>
<p>==================</p>
<p>Düsseldorf-based artist Christian Jendreiko is known for realizing actions with large ensembles in novel, site-specific settings. He views these actions as &#8220;an alternative to what is usually called making music,&#8221; in that each movement or gesture made by the members of the ensemble is not determined by musical values. Instead, Jendreiko specifically seeks to reconsider acoustics as aspects of how body and mind, thinking and acting, hearing and seeing are connected. He emphasizes the need to recognize inner motivations &#8211; or mind-body-feedbacks &#8211; and move in accordance with them. A wholly democratic, decentralized approach characterizes Jendreiko&#8217;s actions. Combining the assembled performers in non-hierarchical fashion, he transforms groups into social sculpture. As he puts it, &#8220;my actions are about the relation between us and things and for a couple of hours or days my actions are a testing ground for alternate lifestyles.&#8221;</p>
<p>Jendreiko&#8217;s actions have been performed at galleries and art institutions throughout Europe and in the USA. His compositions and sound pieces are included in the permanent collection the Musée National d&#8217;Art Moderne at the Centre Pompidou in Paris. The Kunstverein Düsseldorf has recently published <em>HETEROLOGICS </em>a volume of his writings and artwork, and Munich based record label Apparent Extent will release a comprehensive box set of his recordings in October 2011. As a member of the artist collective hobbypopMuseum, Jendreiko has presented exhibitions internationally since 1999.</p>
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		<title>QU Junktions presents&#8230; People Like Us: Magical Misery Tour / Aki Onda : Cube Cinema, Bristol : 17.11.11</title>
		<link>http://www.thejoycollective.co.uk/blog/preview/qu-junktions-presents-people-like-us-magical-misery-tour-aki-onda-cube-cinema-bristol-17-11-11/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=qu-junktions-presents-people-like-us-magical-misery-tour-aki-onda-cube-cinema-bristol-17-11-11</link>
		<comments>http://www.thejoycollective.co.uk/blog/preview/qu-junktions-presents-people-like-us-magical-misery-tour-aki-onda-cube-cinema-bristol-17-11-11/#comments</comments>
		<pubDate>Mon, 14 Nov 2011 17:20:34 +0000</pubDate>
		<dc:creator>Vivers</dc:creator>
				<category><![CDATA[Preview]]></category>
		<category><![CDATA[Aki Onda]]></category>
		<category><![CDATA[Bristol]]></category>
		<category><![CDATA[Cube Cinema]]></category>
		<category><![CDATA[Magical Misery Tour]]></category>
		<category><![CDATA[People Like Us]]></category>
		<category><![CDATA[Qu Junktions]]></category>

		<guid isPermaLink="false">http://www.thejoycollective.co.uk/blog/?p=15002</guid>
		<description><![CDATA[As before, so again. Just a week after the Cube saw Ergo Phizmiz&#8217;s playful, slightly barking lofi-opera &#8216;The Third Policeman&#8217;, QU Junktions bring another tirelessly brilliant underground icon to the creaking, faded seats. Vicki Bennett has been People Like Us for nearly 20 years now (and has actually collaborated with Mr Phizmiz), scalpel-ing audio and [...]]]></description>
			<content:encoded><![CDATA[<p>As before, so again. Just a week after the Cube saw Ergo Phizmiz&#8217;s playful, slightly barking lofi-opera &#8216;The Third Policeman&#8217;, QU Junktions bring another tirelessly brilliant underground icon to the creaking, faded seats. Vicki Bennett has been People Like Us for nearly 20 years now (and has actually collaborated with Mr Phizmiz), scalpel-ing audio and visual into disorientating and surreal new collages, films and music that are clever, queasy, funny and shot through with gently zinging humour. A big believer in free distribution of almost all her work (UbuWeb is bulging right now), Bennett&#8217;s work is equally suited to the Sonar festival as the Southbank Centre (where &#8216;Magical Misery Tour&#8217; debuted), and is also cool enough to merit a weekly show on terrific US radio station WFMU. And you really have no excuse to miss a show that splices a bloody bath full of horror clips into a twitchy, mutant new whole. That&#8217;s a general life rule by the way, write it down. </p>
<p>&nbsp;</p>
<p><strong><a href="http://www.thejoycollective.co.uk/blog/preview/qu-junktions-presents-people-like-us-magical-misery-tour-aki-onda-cube-cinema-bristol-17-11-11/attachment/plu/" rel="attachment wp-att-15009"><img class="aligncenter size-full wp-image-15009" title="PLU" src="http://www.thejoycollective.co.uk/blog/wp-content/uploads/PLU.jpg" alt="" width="402" height="500" /></a></strong></p>
<p><strong>People Like Us: Magical Misery Tour</strong></p>
<div><strong>Aki Onda</strong></div>
<div><strong>Qu DJs</strong></div>
<div>Thursday 17 November 2011</div>
<div>Cube Cinema, Bristol</div>
<div>Dove Street South, Bristol, BS2 8JD</div>
<div>7.30pm &#8211; 11.30pm | £6 adv | <a href="http://qujunktions.com/event/tbc">Buy Tickets</a></div>
<div>
<p>Haunted Cinema from two contrasting visual and audio artists who wrestle new sight and sound lines from trailing edge technology and past-master material. From the deft and humorously subversive <a href="http://www.peoplelikeus.org/">People Like Us</a> comes a new ‘Horror Collage’, while via Japan/New York comes <a href="http://www.akionda.net/">Aki Onda</a> performing a rare set on his famous cassette Walkmans.</p>
<p>Look Behind You… She Is Back! <strong>Vicki Bennett</strong> aka <strong>People Like Us</strong> raids the tombs of HORROR films, plundering the Un-Dead and cutting up scared suburban teenagers amongst many victims into a delicious perverse A/V set which premiered at <em>The Sound of Fear</em> at da Southbank Centre under the working title of <em>Horror Collage</em>. The source material is 95% from horror movies, with the content portraying not so much a scary nightmare but a journey through the underworld of everyday human experiences. It is not true to say you do not relate to this kind of horror movie. Truth is stranger than fiction. Having said this, People Like Us, as ever, see the positive and sometimes humorous side of the most ghastly scenarios, and by accompanying the edited found feature film footage with new sample collage pop songs, elevate you from the swamp.</p>
<p>Since 1991 British artist Vicki Bennett has been an influential figure in the field of audio visual collage, through her innovative sampling, appropriating and cutting up of found footage and archives.</p>
<p>The queen of the collage has blood on her hands, enjoy the horror of it all.</p>
<p><strong>Aki Onda</strong> is an artist whose musical instrument of choice is the cassette Walkman. He captures field recordings with the cassettes and then physically manipulates the tape machines with electronics in his performances to mesmerising effect. Strikingly poetic with ghosts of the physical, and invisible captured in his sound world, Onda re-examines moments of time he has spent wandering and recording. Maximising the micro-narrative/diary-like elements contained in his performances Onda fits perfectly a film festival.</p>
<p>Onda started making music with the sampler and computer, and formed Audio Sports with Eye Yamatsuka (of The Boredoms) and Nobukazu Takemura in Osaka in 1990. He then became a sought after producer before starting his travels and recording his cassettes, taking photos and collaborating.</p>
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		<title>Qu Junktions presents&#8230; Ergo Phizmiz’s The Third Policeman : Cube Cinema, Bristol : 9 &amp; 10.11.11</title>
		<link>http://www.thejoycollective.co.uk/blog/preview/qu-junktions-presents-ergo-phizmiz%e2%80%99s-the-third-policeman-cube-cinema-bristol-9-10-11-11/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=qu-junktions-presents-ergo-phizmiz%25e2%2580%2599s-the-third-policeman-cube-cinema-bristol-9-10-11-11</link>
		<comments>http://www.thejoycollective.co.uk/blog/preview/qu-junktions-presents-ergo-phizmiz%e2%80%99s-the-third-policeman-cube-cinema-bristol-9-10-11-11/#comments</comments>
		<pubDate>Tue, 08 Nov 2011 12:06:29 +0000</pubDate>
		<dc:creator>Vivers</dc:creator>
				<category><![CDATA[Preview]]></category>
		<category><![CDATA[Bristol]]></category>
		<category><![CDATA[Cube Cinema]]></category>
		<category><![CDATA[Ergo Phizmiz]]></category>
		<category><![CDATA[Qu Junktions]]></category>
		<category><![CDATA[The Third Policeman]]></category>

		<guid isPermaLink="false">http://www.thejoycollective.co.uk/blog/?p=14825</guid>
		<description><![CDATA[It&#8217;s 2008 and Bristol&#8217;s Venn festival is throwing bands and genres into happy faces for one final year. Between (I think) Moha! and Infinite Livez, a break at the tiny Scout Hut finds a hall space turned into some sort of possessed forest, where cracked spectacles and toy instruments hang from the ceiling and hidden laptop [...]]]></description>
			<content:encoded><![CDATA[<p>It&#8217;s 2008 and Bristol&#8217;s Venn festival is throwing bands and genres into happy faces for one final year. Between (I think) Moha! and Infinite Livez, a break at the tiny Scout Hut finds a hall space turned into some sort of possessed forest, where cracked spectacles and toy instruments hang from the ceiling and hidden laptop noise oozes from behind layers of fake leaves. It was great, obviously, but installation art is not the only treat that <strong>Ergo Phizmiz</strong> can dish out. He&#8217;s a ridiculously prolific chap, variously turning out radio programmes, bizarro operas (including &#8216;The Mourning Show&#8217;, in which &#8220;radio DJ Chris Evans is driven to insanity and plummets to his death in the misguided belief he is a bird&#8221;), acoustic covers of Prodigy albums, toy instrument covers of Velvet Underground albums, as well as a mention in John Peel&#8217;s autobiography. This latest opera doodah is a twisted version of an absurdist Flann O&#8217;Brien novel &#8220;in which electronic music, puppetry, stagecraft, and animation collide into an intense unity&#8221;. Sometimes these previews write themselves, eh. Sometimes you can see national treasures for six quid. See this or be forever a stinking cadaver. </p>
<p><a href="http://www.thejoycollective.co.uk/blog/preview/qu-junktions-presents-ergo-phizmiz%e2%80%99s-the-third-policeman-cube-cinema-bristol-9-10-11-11/attachment/ergo-phizmiz/" rel="attachment wp-att-14853"><img class="aligncenter size-full wp-image-14853" title="Ergo2" src="http://www.thejoycollective.co.uk/blog/wp-content/uploads/ergo-phizmiz.jpg" alt="" width="288" height="300" /></a></p>
<p><strong>Ergo Phizmiz’s The Third Policeman</strong></p>
<p>Wednesday and Thursday, 9 and 10 November 2011</p>
<div>The Cube Cinema</div>
<div>Dove Street South, Bristol, BS2 8JD</div>
<div>8.00pm &#8211; 9.30pm | £6 adv | <a href="http://www.bristolticketshop.co.uk/">Buy Tickets</a></div>
<div>
<p>Qu Junktions is jazzed to present a big project from wild card composer <a href="http://ergophizmiz.net/">Ergo Phizmiz</a>.</p>
<p><em><strong>The Third Policeman</strong></em> is an electronic neur-opera based on <em><strong>Flann O’Brien</strong></em>’s perplexing masterpiece. Part thriller, part comedy, part science-fiction, this radical adaptation combines stagecraft, animation, and distinctive, unforgettable music into an astounding composite for the ears and eyes. Expect bicycles, murder, atomic theory, typewriters, infinity, and sweets.</p>
<p>Ergo first locked tusks with Qu at Venn 2008, when he produced <em>Forest</em>, an amazing bespoke installation that saw him take over a scout hut to conjure an enchanted Bavarian woodland made of twigs, cutlery, mechanical birds and constant, ever-evolving sound. Now he’s back with something grander and stranger yet.</p>
<p><strong><em>The Third Policeman </em></strong>is a truly 21<sup>st</sup> century artwork, using a wide array of creative methods and approaches in handmade and digital art to bring Ergo’s idiosyncratic take on Flann O’Brien’s already idiosyncratic world to life.</p>
<p>Created in collaboration with a host of artists who can only be described in today’s incessant jargon as “outsiders”, and performed by a cast of non-trained singers and comedians, with visual influences from Eastern European animation and musical references ranging from British dance bands to intricate electronic music, it will be an unforgettable and unique sensory experience.</p>
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		<title>Mo&#8217;vember, Mo&#8217; hearing problems: live highlights for November</title>
		<link>http://www.thejoycollective.co.uk/blog/highlights/november-preview/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=november-preview</link>
		<comments>http://www.thejoycollective.co.uk/blog/highlights/november-preview/#comments</comments>
		<pubDate>Mon, 31 Oct 2011 20:59:04 +0000</pubDate>
		<dc:creator>keef</dc:creator>
				<category><![CDATA[Highlights]]></category>
		<category><![CDATA[Bristol]]></category>
		<category><![CDATA[Cardiff]]></category>
		<category><![CDATA[Newport]]></category>

		<guid isPermaLink="false">http://www.thejoycollective.co.uk/blog/?p=14642</guid>
		<description><![CDATA[Stamina levels suitably galvanised by another epic and dizzyingly fun Sŵn weekend, let’s approach this typically whistle-stop rambling tour of November’s live music highlights much as we would Sŵn; celebrating local brilliance and foraging for curiosities amongst the weird and unknown. &#160; Nothing weird about ultra-prolific Japanese psych-rock behemoth ACID MOTHERS TEMPLE playing in a [...]]]></description>
			<content:encoded><![CDATA[<p>Stamina levels suitably galvanised by another epic and dizzyingly fun Sŵn weekend, let’s approach this typically <span style="text-decoration: line-through;">whistle-stop</span> rambling tour of November’s live music highlights much as we would Sŵn; celebrating local brilliance and foraging for curiosities amongst the weird and unknown.</p>
<p>&nbsp;</p>
<p>Nothing weird about ultra-prolific Japanese psych-rock behemoth <strong>ACID MOTHERS TEMPLE</strong> playing in a bar in Bridgend.  On a Monday night (Hobos, 14<sup>th</sup>).  Nope, hang on, that’s highly weird, yet fantastic.  It’s cheap (£8 maximum) and has excellent support from longform psych improvisers <strong>BEAR-MAN</strong>.  Oh, and Hawkwind’s Nik Turner might turn up and play because he lives down the road.  Splendid.  If Bridgend’s too much of a stretch, AMT play the Thekla on the 15<sup>th</sup> too.  Further exploratory truffles can be uncovered in the no less unusual surrounds of Cathays’ Gower pub (28<sup>th</sup>), where the Rusty Trombone of God dudes follow up their fine Sŵn bill with prepared guitar and drum workouts from <strong>BIRCHALL/CHEETHAM DUO</strong>, manipulated feedback jams from <strong>DEAS &amp; DENTON</strong> and <strong>R. SEILIOG</strong>.  Trippy.  Elsewhere, seek out multimedia polymath <strong>PEOPLE LIKE US</strong>, who turns her unrivalled skills in A/V plunderphonics to the horror genre in ‘Magical Misery Tour’ (Cube, 17<sup>th</sup>) and former PLU collaborator <strong>ERGO PHIZMIZ</strong>, who presents “electronic neur-opera” <em>The Third Policeman</em>, a feast of animation, music and interactive storytelling, over two nights at the Cube (9<sup>th</sup>, 10<sup>th</sup>).</p>
<p>&nbsp;</p>
<p>More horizon-broadening stuff, again courtesy of Qu Junktions, at the same venue (16<sup>th</sup>), where Balkan themes are interpreted by The Ex’s <strong>ANDY MOOR</strong> and Cypriot electronic composer <strong>YANNIS KYRIAKIDES</strong>.  Their take on Greek rembetika comes with Kyriakides’ film <em>Varocha</em> and support from Nalle and Scatter man Chris Hladowski’s psych trio <strong>THE FAMILY ELAN</strong>.  Ace.  Over at the Croft, more heavy psych treats; transcendental West African jam band <strong>GROUP INERANE</strong>, undeterred by their ATP performance going on ice, pair up with killer free noise pair <strong>FLOWER-CORSANO DUO</strong> for an unmissable night (29<sup>th</sup>).  <strong>ONEOHTRIX POINT NEVER</strong> returns swiftly to Bristol (Cube, 22<sup>nd</sup>) with an A/V collaboration with filmmaker Nate Boyce, an apparently career-best new set of meditative, lo-fi sampledelia and support from Planet Mu alumnus <strong>HYETAL</strong>.  Finally, for now, there’s coal-black mutant jazz from Norway’s very awesome <strong>SHINING</strong> (Fleece, 6<sup>th</sup>).</p>
<p>&nbsp;</p>
<p>There’s lots of excellent new releases about from Cardiff’s best and brightest, and on the back of some triumphant Swn shows a few of them take the metaphorical champagne bottle across the bow this month.  <strong>TRUCKERS OF HUSK</strong> celebrate the release of ‘Accelerated Learning’ on Shape at Clwb (26<sup>th</sup>), and if it’s half as rumbustuous as O’Neills was last week it’ll be a treat.  Not least because <strong>RIGHT HAND LEFT HAND</strong>, who slayed Swn themselves and whose &#8216;Power Grab&#8217; should be bought, now, by everyone, support.  As do yer Bear-Man.  <strong>KUTOSIS</strong>, meanwhile, have ‘Fanatical Love’ birthed on the 14<sup>th</sup> by Barely Regal, and launch it not once but twice with a gig at Clwb (11<sup>th</sup>, <strong>EFFORT</strong> among the supports) and a playback of the videos created for each song at Chapter Moviemaker (7<sup>th</sup>).  Their joint tour with <strong>SAMOANS</strong>, meanwhile, takes in the Croft (13<sup>th</sup>).  Also on the 11<sup>th</sup>, <strong>SCIENCE BASTARD</strong> unveil ‘Pull Tiger Death Cord’ with a freebie show at Le Pub; they also support returning heroes <strong>FUTURE OF THE LEFT</strong> who bring forth new material at Clwb (20<sup>th</sup>).  <strong>SATURDAY’S KIDS</strong> are on that bill too, one of the month’s best.  Another sees <strong>LOS CAMPESINOS!</strong> touring with Ukraine-wasting nutbar geniuses <strong>STRANGE NEWS FROM ANOTHER STAR</strong>; the ensuing chaos serves to promote LC!’s ‘Hello Sadness’ album, and calls at the Globe (9<sup>th</sup>).  <strong>ISLET</strong> aren’t, sadly, trailing a new album – yet – but play Buffalo (23<sup>rd</sup>) with pictish scruffs <strong>DOLFINZ</strong> and the lopsided clatter of <strong>HIS NAKED TORSO</strong>.</p>
<p>&nbsp;</p>
<p>Away from the local heroes, it’s a bit of a cracking month for quality live tackle in the capital.  <strong>THROWING MUSES</strong> are a bit of a coup for Swn, and should make the air fair crackle with intensity in the intimate setting of the Gate (8<sup>th</sup>).  Watch out for the GIGCLASH though, as the same dudes bring you tender, wounded love songs and sleepy/druggy West Coast pop classicism care of San Francisco’s <strong>GIRLS</strong> (Globe, 8<sup>th</sup>) on the same night.  Bummer, I believe, is the expression, a sentiment perhaps shared by Cardiff-based fans of <strong>DANANANANAYKROYD</strong>; no sooner had I plugged the Bristol date of their farewell tour than the lovable math-pop scamps had added a bonus date (Undertone, 5<sup>th</sup>) with <strong>DRAINS</strong> in tow.  Top sweaty fun in prospect there, as there surely will be when <strong>MARIACHI EL BRONX</strong> swing by Clwb (27<sup>th</sup>), even if their day-job incarnation aren’t appearing this time.  <strong>JOSH T. PEARSON</strong> is another whose show moves to Clwb from the Globe (24<sup>th</sup>); on sparkling, hilarious between-song form at End Of The Road, that should be a treat.  Less predictable, but potentially great, is <strong>GHOSTFACE KILLAH</strong> (Solus, 6<sup>th</sup>).  Such a shame <em>that’s</em> not in Clwb, too, but on his day he should rip it up anyway.  <strong>WISE BLOOD</strong>, rescheduled from summer, brings his dextrous cut ‘n’ paste pop to Undertone (18<sup>th</sup>).</p>
<p>Plenty of big stuff happening over the bridge.  <strong>DOOM</strong> returns to Bristol with another showcase of his multifarious pseudonyms; the best rapper of his generation appears at Motion (15<sup>th</sup>), while over at Start The Bus there’s a chance to see <strong>SHABAZZ PALACES</strong>, capping a remarkable rebirth from Daisy Age obscurity with Digable Planets with his first UK tour (22<sup>nd</sup>).  <strong>EXPLOSIONS IN THE SKY</strong> take their textbook quiet-loud post-rock to the big stages (o2 Academy, 20<sup>th</sup>), a big step up considering that <strong>WILD BEASTS</strong> are only playing the Anson Rooms (19<sup>th</sup>).  Both ought to be good, of course.  <strong>OKKERVIL RIVER</strong> have slowly become rabble-rousing main stage gold in a way Bright Eyes never really managed; they’re at the Trinity (21<sup>st</sup>), while <strong>BESNARD LAKES</strong>’ slow-burn rootsy indie-rock should sell well at the Thekla (21<sup>st</sup>) the same night and <strong>BON IVER</strong> will have the 4&#215;4 crowd going wild in the aisles at the Colston Hall (11<sup>th</sup>).  Rather than the latter, spend the 11<sup>th</sup> in the company of <strong>ST VINCENT</strong>, whose US jaunt with our own <strong>CATE LE BON</strong> in support crosses the pond; they’re at the Fleece (11<sup>th</sup>) for the nearest thing to a triumphant homecoming.  Also recommended: redoubtable gentle giant of folk-blues <strong>WILLIAM ELLIOTT WHITMORE</strong> (St Bonventures, 15<sup>th</sup>), wrought, emotional indie-rockers <strong>THE ANTLERS</strong> (Thekla, 9<sup>th</sup>), Belle &amp; Sebastian guitarist and total chap <strong>STEVIE JACKSON</strong>’s solo debut (Thekla, 11<sup>th</sup>) and Constellation’s <strong>SISKIYOU</strong> (Cube, 12<sup>th</sup>, with <strong>SILVER PYRE</strong>).</p>
<p>&nbsp;</p>
<p>More Cardiff stuff!  Gathered In Song have landed a bit of a coup with American Music Club’s <strong>MARK EITZEL</strong>’s return to Cardiff alongside alt-country troubadour <strong>RICHARD BUCKNER</strong> (Buffalo, 9<sup>th</sup>) and they also have ex-Grand Drive man <strong>DANNY &amp; THE CHAMPIONS OF THE WORLD</strong> (Globe, 14<sup>th</sup>).  Italian garage/shoegaze dudes <strong>THEE PIATCIONS</strong> have their postponed show rescheduled at Buffalo (21<sup>st</sup>) with Laura Bryon of King Alexander’s new band <strong>TENDER PREY</strong> opening.  Ace Fence Records folkster <strong>ROZI PLAIN</strong> returns (10 Feet Tall, 28<sup>th</sup>) as do decidedly un-folky Leicester sociopaths <strong>DIET PILLS</strong> (Gower, 18<sup>th</sup>, with <strong>SPIDER KITTEN</strong> and more).  Satisfy your noise jonesing further in the company of sludgy Londoners <strong>PALEHORSE</strong>, skronky mathrock types <strong>NITKOWSKI</strong> and those <strong>STRANGE NEWS</strong> fellows (Clwb, 3<sup>rd</sup>) or <strong>TALL SHIPS</strong> (Undertone, 10<sup>th</sup>), or for something a little danceable check Kitsune’s <strong>CITIZENS</strong> playing 10 Feet Tall with the ace <strong>HEMME FATALE</strong> (16<sup>th</sup>) or indiepoppers <strong>WAKE THE PRESIDENT</strong> (Undertone, 19<sup>th</sup>).</p>
<p>What else? Lots. Sleek electro-pop goodness from <strong>NEON INDIAN</strong> (Cooler, 19<sup>th</sup>), or maybe thumpingly direct polyrhythmic Animal Collective fun from <strong>FIXERS</strong> (Start The Bus, 19<sup>th</sup>). <strong>PURE X</strong> offer a pretty intriguing amalgam of gluey shoegaze guitars and airy 60s pop structures which could either be great or an indulgent mess live, decide for yourselves (Thekla, 7<sup>th</sup>). There&#8217;s supercute gossamer indiepop from <strong>CULTS</strong> (Thekla, 17<sup>th</sup>), shuddering mathy hardcore from <strong>ICE, SEA, DEAD PEOPLE</strong> (Croft, 19<sup>th</sup>), neon Fairlight disco classicism from <strong>AZARI &amp; III</strong> (Blue Mountain, 3<sup>rd</sup>), woozy falsetto lo-fi from <strong>GARDENS &amp; VILLA</strong> (Thekla, 5<sup>th</sup>) and hearty stop-start indie-rock care of <strong>PORTUGAL. THE MAN</strong> (Louisiana, 19<sup>th</sup>). There&#8217;s also some preposterously strong bills over at Motion, with <strong>EROL ALKAN</strong>, <strong>HUDSON MOHAWKE</strong>, <strong>JON HOPKINS</strong>, <strong>WASHED OUT</strong> and more (12<sup>th</sup>) and <strong>JOKER</strong>, <strong>MARTYN</strong>, <strong>NATHAN FAKE</strong> and <strong>JAMES HOLDEN</strong> all on one bill (25<sup>th</sup>). That&#8217;s before we even mention a slew of perma-touring types making swift returns to Bristol, namely <strong>MELVINS</strong> (Thekla, 4<sup>th</sup>), <strong>DJ SHADOW</strong> (Academy, 28<sup>th</sup>), <strong>BILLY BRAGG</strong> (Anson Rooms, 28<sup>th</sup>), <strong>JESSE MALIN</strong> (Fleece, 29<sup>th</sup>), <strong>WIRE</strong> (Thekla, 29<sup>th</sup>) and <strong>JAMES BLAKE</strong> (Anson Rooms, 29<sup>th</sup>). Ridiculous. Frankly, there&#8217;s loads more – see the listings section for ample proof – but that should be enough to keep you going. Word to the wise: December&#8217;s dead, so make the most of it.</p>
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